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    Wednesday, September 30, 2015

    Rasulxon (Rasul Qori) Mamadaliev (1928-1976) - MP3-CD from Uzbekistan

    Here the fourth post in our series of MP3-CDs of great singers of the Maqam traditions of Uzbekistan, published years ago in Uzbekistan and brought by our friend Danny from a trip to Uzbekistan. This time the great singer Rasul Qori Mamadaliev (1928-1976). 
    Jean During wrote about him in the booklet to the CD "Ouzbekistan - Les Grandes Voix du Passé (1940-1965)", on which he published three tracks by the great singer, the only ones available in the west:
    "Rasul Qari Mamadaliev (1928-1976) was another brilliant successor of Jura-khan Sultanov whose repertoire he picked up, listening to him perform at toy. He also studied with Hamraqul Qari and Damla Halim Ibadov from Bukhara. Just as he learnt Khorezm repertoire, listening to Sultanov, he also made his own synthesis of the three great Uzbek-Tajik traditions. He was exceptional in other ways too: blind, he had a phenomenal memory and, if he liked a tune, was able to pick it up after one or two hearings. He put together a repertoire of thousands of songs, just listening to the radio or recordings. Short and very fat, his powerful, chubby hand had trouble reaching the low notes at the bottom of the neck of the tanbu so he held his Instrument vertically and only played in the top register with a tension and a density more akin to Uigur or Azeri lutes than to those of Ferghana. He was in great demand at toy for the extraordinary atmosphere he was able to create, and also for his sense of humour and witty tongue. In this context, his music was much more powerful  and impressive than in his recordings for the radio. Unfortunately the technical quality of his toy recordings was not good enough to be included in this anthology.
    For certain connoisseurs, he is the greatest classical bard (hafiz) of this century, especially when one considers the range of his capabilities (an unequalled vocal and instrumental technique serving all genres and traditions), his incredible memory, his humour and wit. What's more, he was generous (he would sing for nearly eight hours a day) and would give his audiences exactly what they wanted, at times even more, with songs in a lighter vein and Russian melodies.
    One anecdote reveals the provocating aspect of bis personality, and his respect for tradition. In his village, near Quqand, Rasul Qari had more than a dozen students. One night, at a party they had all been invited to, Jura-khan Sultanov turned up. From 6 p.m. until l a.m., Rasul Qari had each of his students sing the best pieces from Jura-khan's repertoire, taking away tbe latter's chances to demonstrate his superiority. Jura-khan just waited quietly for his turn. When he was finally asked to sing, he rolled up his sleeves, pitched the tanbur up a tone, and performed one of his compositions that nobody knew, to a poem by Nava'i. His interpret­ation was so astounding that he eclipsed everyone else. When he had finished, Rasul Qari came up to him and fell to his feet, begging his pardon. Although not a student of Jura-khan, he had learnt many of his compositions thanks to the radio. Rasul Qari also died singing, from a cerebral stroke, at the age of forty-seven."

    Wednesday, September 23, 2015

    Saturday, September 19, 2015

    Salamat Hussain - The Enchanting Notes of Flute - Asghar Records PIKA-37 - LP published in New York in 1980

    Here as promised to my blogger colleague Richard the only LP I have from this "mysterous" Pakistani label based in New York in the 1970s and 1980s. I bought this LP in the early 1980s in Southall near London in a Pakistani record shop. They had at that moment quite a number of LPs by this label, but unfortunately I bought only this one as there were so many of the great EMI Pakistan LPs which I couldn't resist. This Salamat Hussain LP I bought basicly out of nostalgic reasons as my very first Raga LP, the legendary "Pakistani Soul Session", which I posted here as one of my very first posts in june 2011, contained two tracks by him.
    Richard had posted on his wonderful blog "Flat, Black and Classical: Indian Classical Music on Vinyl and Cassette" two LPs from this label, which also goes under the name Oscar Records:

    Side 1:
    1. Raag Chandar Kauns (Chandrakauns)
    2. Raag Gujrri Torri (Gujri Todi)

    Side 2:
    1. Raag Aimen (Yaman)
    2. Thummarri Tez (Thumri Desh, I suppose)

    The artist has a website: http://www.salamathussain.com.pk/articl/biography.htm

    Our blogger colleague Hans posted in 2011 a cassette by Salamat Hussain and added a track by one of his teachers, Debu Bhattacharya. In this post Hans also posted a number of other recordings by very little known Bansuri players from Pakistan.
    See: http://lalogiqueinterne.blogspot.de/2011/01/roseaux.html

    Sunday, September 13, 2015

    Adib Dayikh (1938 - 2001) - Sa'altak Ya Jabbar - Cassette from Syria

    Here one of the many cassettes by the great singer from Aleppo. This one has quite good sound quality, though there are some disturbences occasionally. We saw him live at WDR (Westdeutscher Rundfunk) in Cologne, Germany in the 1990s. Unbelievably beautiful and still very much alive in my memory.

    Many thanks again to Danny.

    1938 - 2001

    Adib DayIkh : Born in Aleppo in 1938, belongs to a highly reputated line of cantors (munshid). Highly valued from Middle East to Maghreb, this native aleppian has rarely travelled abroad, but music lovers made copies of the cassettes and passed them around like a treasure. They transmitted a new style of expression that was broadly imitated by Arab singers. He is quoted as a real musical monument : altogether vocal phenomenon and a fount of knowledge in maqâmat, his art of modulation from one maqâm to another and his perfect mastership of an immeasurable classical repertoire. He might be the only contemporary singer whose voice reminds of the arab singers from the beginning of the century. The high-pitched and youthful tessitura of his voice is called al-farkha (the cheeping of baby birds) and applies to men and women alike. Capable of going from the lowest to the the highest notes with great ease, his ambitus covers three octaves.
    from: http://www.alkindi.org/anglais/artists/artists_adib.htm

    For more information on the artist see the booklet to his first CD published in France:

    For infos regarding the classical music of Aleppo:

    Tuesday, September 8, 2015

    Sabri Moudallal (1918-2006) - Qudud wa Muwashahat - MP3-CD from Syria

    The media are full of the unbelievable human catastrophe taking place in Syria since years and getting worse and worse. What a desaster, what a horror! Amid all this desaster we hardly know anything about the destiny of musicians and if and how they are able to maintain their great traditions of classical and religious (Sufi) music. In order to keep up the memory of Syria's great musical heritage and as there are only very few CDs available we post here over the next months some cassettes and MP3-CDs which our dear friend Danny brought 5 years ago from a trip to Syria. 
    We start here with a MP3-CD containing three concert recordings by Sabri Moudallal (1918-2006), the great master of the classical music of Aleppo, accompanied by a Takht ensemble consisting of Ney, Ud, Qanun, Violin and Riqq players. We had already before posted two recordings by him: one a Mouled an-Nabi as it is performed especially in Sufi circles and the second a programme of Classical Arab Music from Aleppo recorded by the WDR in Cologne in Germany.

    Saturday, September 5, 2015

    Orif Alimakhsumov - So'lim - MP3-CD from Uzbekistan

    Here the next MP3-CD from Uzbekistan. This time we present Orif Alimakhsumov (also transcribed as Orif Alimaxsumov), another well-known Shashmaqam singer. He was one of the singers in the legendary complete Shashmaqam of Bukhara under the direction of Yunus Rajabi, recorded between 1960 and 1962. See our post: Shashmaqam of Bukhara - Box of 16 LPs.
    He is also considered to be a master of the Maqom of the Ferghana Valley. For more information see below the links to two articles about the history of these musical traditions.
    On this MP3-CD are contained three folders called CD 1 etc. We keep this division into 3 CDs and they can be downloaded separately.

    Many thanks again to Danny for sharing these recordings.

    About the background of the artist see: